Fe en la Mantis - Estoc Remix | Amarú x Estoc | HiedraH Club de Baile

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Amarú x Estoc - Fe en la Mantis - Estoc Remix

from Fe en la Mantis by Amarú x MAJA

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ENG
"Andei em cima de um corpo que yasia no chão ao tempo que encontrei nova luz no coração"

The Pampas Plains, that mythical and fundamental continent to the great story of the Argentinean gene and its gaucho nobility. This has been part of the pedagogical doctrine of our schooled childhoods, despite the fact that it originated to set in motion the spectacle of a tradition in favour of the conqueror. On the other hand, the bodies of the malón (Native's offensive) have no names of their own and are drawn undefined in that open cemetery of earth, converted into a single determining power, their borders diffused, the John and Jane Does of history. Amaru observes this army of people from the edge of his own diffusion. He sings to those who preceded him, and from there he tells another version of the facts. In "Fe en La Mantis", the countryside and the road are always in constant resurrection: like the pagan saints at the side of the road, like the dead that light up the roadside, like the bugs that get caught on fire before the magnetism of a street lantern. Those who have no name, cry out their voice. What's dead lies alive, waiting for its turn to return. Resorting to polyphony and queer baroque, where the irrepressible desire for power proposes control, Amaru counter-proposes a coalition of twisted, screeching, carnival sounds. The guts on the asphalt get mixed, twisted and merry against an exhaust pipe. The cement gets painted in soft colours. Another new saint is born on the asphalt. To have faith is a joyful impulse for those who are silent.

ESP
"Andei em cima de um corpo que yasia no chão ao tempo que encontrei nova luz no coração"
La llanura pampeana, ese continente mítico fundamental para el gran relato del gen argentino y su nobleza gaucha. Este ha sido parte de la doctrina pedagógica de nuestras infancias escolarizadas, pese a que se originó para poner en marcha el espectáculo de una tradición a favor del conquistador.En cambio, los cuerpos del malón no tienen nombres propios y se dibujan indefinidos en ese cementerio abierto de tierra, convertidos en una sola potencia determinante, difusos sus bordes, ene-enes de la historia. Amarú observa ese ejército claudicado de personas desde la orilla de su propia difusión. Les canta a quiénes lo anteceden, y desde ahí cuenta otra versión.En “Fe en La Mantis”, el campo y la ruta están siempre en constante resurrección: como los santos paganos al costado del camino, como los muertos que alumbran la banquina, como los bichos que se atraviesan incendiados ante el magnetismo de un farol. Los que no tienen nombre, claman su voz. Lo muerto yace vivo esperando su turno de volver. Apelando a la polifonía y al barroquismo queer, adónde el deseo irrefrenable de poder propone control, Amarú contrapropone una coalición de sonidos retorcidos, chirriantes, carnavaleros.Las vísceras sobre el asfalto se mezclan retorcidas y alegres contra un caño de escape. Se pinta el cemento de colores blandos. Nace otro nuevo santo sobre el asfalto. Tener fe es un impulso alegre para los que callan.

credits

from Fe en la Mantis, released October 8, 2021
Composed by Amarú
Produced by Amarú and Maja
Remix by Estoc
Mixed & Mastering by Imaabs (Modos Estudio)
Artwork by Jusomor
Mgmt Regina Ceii

© 2021 Hiedrah

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HiedraH Club de Baile Buenos Aires, Argentina

Hiedrah is an argentine musical board based in Buenos Aires. Since 2013 we promoted the singularity of identity and cultural minorities in Latin America in order to create a new libertarian policy concerning the joy of bodies.

We are not the same: we are boosted by our differences.
Return to the body. ... more

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